The art of lying is no art at all.
But
do not generalize. Do not write, “Everything we write is a lie.” Write instead, “I am writing lies.” What I begin with,
when I sit down to my keyboard, may resemble the truth; but as soon as I type that
third word I know that I’ve slanted that truth if not turned it upside-down and
backward – because sentences are not stones but inventions.
This
doesn’t mean I write fantasy as if it were reality. I don’t, in what I write
here, change my shirt or the car I drive. I don’t go places I’ve never been,
become intimate with women I’ve never met, eat drugs I’ve never tasted. I don’t
pretend to things I cannot do: play the sitar or shoot 68 from the tips at
Montrêux Golf and Country Club, read minds or fire handguns. I don’t pretend to
have washboard abs, the strength of seven, the grace of a gazelle, or the wood
of a 63-year-old oak.
Those
might make a better story, how I acquired a 1962 Citroën from an antique car
dealer in Reno, how I slashed an 8-iron out of deep rough on the 17th, lofting
it 162 yards to within four feet of the pin (and managed to slide the putt in the
high-side door), how an uninhibited young red-head came unbidden for a
string-lesson and stayed to assay my strength, my grace, my . . . savoir faire.
I
could write of any of those things –
and with a little bit of research (on Nevada geography, stringed instruments, resort
courses, and female anatomy), I could write about any of those things in great
detail, and believably.
But here I stick to what I know at the
ends of my fingers, whether I have a pencil in hand or a keyboard on my lap. That
isn’t terribly much, but at least the lies begin close by. That’s what I’m
saying when I say I begin with something that resembles the truth. I begin
close by.
No
redheads close by, no Citroëns or sitars; it’s the Valley of Virginia, not
Reno. I do not write of a new heaven and a new earth. I write of a new earth
and an unseen heaven. The earth is rich though not black. The heaven is a pale,
pale blue.
06.13.16
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